此案的設計核心，始於對「減法生活」的深度實踐。我們認為空間的樣貌應源於屋主的氣質，將外露的風管自然地融合在室內空間中，而非多餘的裝飾堆疊。當人為的裝飾降至最低，空間便會自然產生出一種純粹的一致性。

The core of this project begins with a profound practice of “Subtractive Living.” We believe that the form of a space should emerge from the dweller’s temperament—integrating exposed conduits naturally into the interior rather than masking them with redundant decor. When artificial ornamentation is minimized, the space achieves a natural state of pure consistency.

我們以全幅玻璃作為介質，利用其透明特性消除隔間產生的視覺阻斷，讓自然光成為貫穿空間的元素。移除實體牆面後，陽光得以由書房深入公領域，顯著提升整體的採光層次。這種視覺的連續性，讓客廳、書房與用餐區在水平視線上達成緊密的空間連結，在既有的坪數內，重構出更為開闊且流動的生活尺度。

Using full-height tempered glass as a medium, we eliminate the visual obstructions caused by traditional partitioning, allowing natural light to flow through the entire space. By removing physical walls, sunlight penetrates deep into the public areas, enhancing the layers of natural illumination. This visual continuity fosters a seamless connection between the living room, study, and dining area, reconstructing an expansive and fluid sense of scale.

秩序建立於結構的精確對齊。我們將空間中長型桌板的輕量化設計，透過線性的延展引導視覺動線，並同步將大容量收納隱入牆體。這種將家具與立面一體化的設計邏輯，讓機能不再是零散的物件，而是自然融入整體空間規劃，在維持純粹視覺序列的同時，落實高效率且從容的日常秩序。

Order is established through precise structural alignment. By incorporating a lightweight, elongated desk design, we guide the visual flow through linear extension while seamlessly embedding high-capacity storage into the walls. This logic of unifying furniture with the facade ensures that functional elements are no longer fragmented objects but are integrated into the overall spatial plan. It maintains a pure visual sequence while manifesting a highly efficient and composed daily order.